Festival

Radiohouse

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Funkhaus stands for a broadcasting station in German, and is also one of my favourite venue in Berlin. Not surprisingly, this building is a former GDR radio broadcast centre built in the 50s. It’s located far East of the city, overlooking River Spree and it’s already quite a challenge to get in there, especially if you do it for the first time. In 2017, it was a venue for events like TOA, Loop and various concerts labeled as Funkhaus Sessions, such as Francesco Tristano’s, Jan Jelinek’s & Kaithlyn Aurelia Smith’s or Lamb’s 20th anniversary tour.

Since music is one of the primary reasons why I’ve been living in Berlin for over 3 years, both in my professional and in my private life, no wonder I spend a good chunk of my time off at gigs. I’m no longer keen to put long hours in partying, I focus mostly on the concerts these days.

And Funkhaus is one of my top-notch venue for large-scale electronic and experimental music events, live performances and installations. It’s also a house for MONOM, an experimental performance and spatial sound studio, equipped with a high-spec 4DSOUND system, a spatial instrument that enables a physical and interactive sound environment.

What I love the most about concerts at Funkhaus, is the great fusion of 50s architecture taste, great sound acoustics and a special, intimate bond between the artists on stage and the audience.

I am already looking forward to some of the Funkhaus Sessions in 2018, as the line up looks equally exciting as in the past couple of years.

In the summer, especially when the events such as Tech Open Air take place, one can reach Funkhaus by a boat, in the winter, it often means a long ride in the darkness by a tram 21 and a long walk by the misty banks of Spree. The feeling of arriving in the cosy, stylish and wooden House of the Radio Sound is one of it’s kind though.

So even if today I’ll miss Nils Frahm’s concert I was waiting for a long time (sold out 6 months in advance or so), simply because a January flu knocked me off my feet this week, I hope others that can participate in this event, will enjoy it on my behalf!

 

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Poznaj Poznań!

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“Poznaj” means “meet” in Polish language. Poznań is my home city in Poland and the idea of writing this post came due to numberless queries from my international friends visiting this beautiful place to gather some of my tips in one place. Quite a challenge, as it is difficult to pick some basic facts, or personal faves I gathered during 20 years I lived there and squeeze into one post.  I will try to focus and see Poznań as a tourist, which I lately turn whenever I come back for a weekend.

Yes, it’s a perfect weekend getaway city: very vibrant, full of bars and restaurants as well as some interesting history to discover. Berlin is the closest biggest city nearby (well, Szczecin is not far away either) and it takes less than 3 hours to travel there by direct train, bus, car – or for more extreme ones: about 23 hours by bike. There are often discounts to get to Poznań: if you buy your ticket in advance (at least 3 days before your trip), you will be able to travel for 19 EUR on the Berlin-Warszawa-Express train. Ecological and fun: you will be able to see Greater Poland’s landscapes, with its pecularities such as the tallest Christ the King sculpture in the world in Świebodzin.

At a first glance, it shares some similarities with Berlin, due to the obvious proximity and the influence of over 100 years of Prussian occupation before Poland re-gaining independence in 1918. Nowadays this can be reflected the most by some monuments (like the Imperial Castle of Wilhelm II), the urbanistic planning of certain neighbourhoods and… the spoken language. Poznań’s dialect consists of many German-originated words. The closeness of Berlin has influenced also more recently the clubbing culture in the 90s and early 2000s bringing legendary Tresor club residents to regular gigs. Poznań is often referred as the most LGBT-friendly and nightlife-loving city in Poland. However, this may seem exaggerated, since Poland is unfortunately quite prone to conservative backlash.

Poznań is also an incredibly green city – parks like Citadel (with exceptional WWII exhibition and Magdalena Abakanowicz sculptures), Sołacz and lakes like Malta, Kiekrz or Strzeszynek are popular spots regardless of the season (there are also some aficionados of the winter swimming, believe me!). Lately, during summer you cannot miss city beaches opening, apart from the well-known KontenerART, there are Brzeg Wschodni and The City Beach “Na Szelągu”.

Some basic facts? It’s not as obvious tourist destination in Poland as Warsaw or Cracow, but it is where the first bishophric of Poland was established in 10th century, so for history-loving people a visit in the Ostrów Tumski near (nowadays) very hip Śródka neighbourhood is a must. Poznań boasts itself with a picturesque Old Town Square and very lively streets around the city centre. Fortunately for the development of some other parts of the city, I see the trend of decentering the location of interesting spots to other neighbourhoods as well, so if you have a chance, wander around Jeżyce (and its murals!), Grunwald, Winogrady or Wilda. There is plenty of new restaurants and bars everywhere, as well as local community initiatives.

Speaking about events, throughout the year there are various opportunities to visit Poznań and face interesting things happening, such as: Malta Festival, Dancing Poznań, Ethno Port, Short Waves, Enter Jazz Festival and Spring Break  Showcase Festival & Conference.

OK… Mission: tourist in my own city accomplished. If you wanna know more about my city and more private notes, simply let me know!

This is my church

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Kraftwerk stands for the ‘power station’ in German. And there are quite a few of them remaining in the centre of Berlin nowadays, including the overpraised Berghain. Its worship makes it for one of the strongest religious movements these days and it’s only a matter of time when the local authorities will start charging for the techno tax, in my humble opinion. But there is also an actual Kraftwerk in Mitte, used only for specific venues, such as The Long Now / Atonal or currently: CTM.

So while awaiting the Deep Web performance and Robert Henke’s concert, I decided to share the set of photos that comes from the 2015 edition of Berlin Atonal festival. During some five hot days in August last year, I was lucky to praise and dance to some amazing artists, such as Ugangan Methods (Ancient Methods + Regis), Shackleton, Alessandro Cortini, Kanding Ray, Varg, Shed, Samuel Kerridge, Lakker (who presented the amazing Tundra works), and many others. I remember the very powerful opening with the voices of the Chor der Kulturen der Welt in this mighty space, as well as the screening of ‘Industrial Soundtrack for the Urban Decay’ by Amélie Ravalec and Travis Collins. 

The light and sound installations set up in the basements and various labyrynths of Kraftwerk were also ery hypnotizing, almost sleepwalking ambience. So after all, I wonder why isn’t it a spot for regular events? I guess the overwhelming size of it, and the magical atmosphere of it just doesn’t match a regular Klubnacht. I think though that if Berghain is a parochial church, Kraftwerk is the cathedral, following the sacred metaphore.

So, see you at the black (laser?) mass on Sunday!

Special thanks goes to: Aldona Weicher, the author of the featuring photo and lately my favourite profile cover. You captured me, the place and the closing moment perfectly!

Berlinaling

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February, the shortest month of the year, yet it seems like one of the most intense ones, at least in the Berliner galaxy. During 10 days each year Berlin becomes (this time) a place to be for the most courageous film makers. I have always enjoyed watching “sad movies” (I absolutely fell for this definition of what non-mainstream stuff was reduced to – creative credit back to my dear friend who is most likely one of the very few readers!).

I was a full-time film festival animal back in a day when down-to-earth things did not matter, i.e. sometime between high school and studies, so it was quite refreshing to live this spirit after years. Eventually, I have only seen a few movies among hundreds, but it was worthwhile. I still had some work to do at the end of the day, there were some awesome concerts in town too (Tricky and D’Angelo!) and day still counts only 24 hours.

The prizes are already announced and I am especially happy for two reasons: the Silver Bear for the Best Script goes to Patricio Guzman for his diptic documentary about Chilean complexity of geography vs. history, and for the Direction – to my compatriot Malgorzata Szumowska. It was amazing to be the audience of this success, especially that I admired them both for their previous works. Otherwise, see you hopefully next year at the 66th International Film Festival!

image the curtain