Detroit B2B Berlin

Cold days = getting sick. Getting sick = managing to read all the pending stuff I wanted to. A Pulitzer-winning author, Charlie LeDuff was one of those on the waiting list on my shelf. Detroit-born writer and journalist stole my sick days with his reportage ‘Detroit: An American Autopsy’. Although I have never been to Detroit, it’s on my travel list since ages. I have also watched tones of the documentaries about this fascinating city, such as:

Also, my fascination with the remote and abandoned places, urban apocalipse and related started a while ago. Only in Berlin though I realised how many stories of the ‘wounded cities’ that once used to be flourishing with industrial jobs are hidden in the abandoned factories and warehouses. Berlin is a perfect place of offering such places a second life, often linked to great cultural venues, such as Stattbad (no longer existing though), Kraftwerk and Tresor anyway, Berghain, Urban Spree and many more which I still did not manage to describe here. There is still a full list of horrifying, dreadful and yet absolutely fascinating decay buildings for me to discover.

So not only postindustrial images, but also the emerging creativity links Detroit with Berlin. Obviously, both cities offer strikingly different vision on the social welfare, and supporting the cultural scene, but the fact is that techno music was born in parallel both in Detroit, and in Berlin. It emerged from the painful history, and events. And from extraordinary creative energy. Some interesting facts are gathered in the following documentary:

Nowadays there are many DJs from Detroit based in Berlin as permanent residents, and enriching the techno culture. Berlin wouldn’t offer the sounds we hear nowadays, if it wasn’t for Detroit. So, being relatively in a better shape, thanks to the economy based on the tech and creative industry, Berlin owes a lot to Detroit.

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A Dark History of Tresor

Sounds brought from Berlin has always inspired not only myself, but also klein aber fein electronic music groovement in my city of origin: Poznań. When I turned enough old to enter clubs in the early 2000s, my journey through the inspirational genres of house, techno and broken beats started and never really stopped, just the amount of time I put in the search for it, had to somehow decrease.

Back in a day the scene in Poznań seemed the most open-minded, at least comparing to other Polish cities. Shortly before the times of conservative backlash that obviously influenced the music scene too. I realized it is coming back to its interesting shape again nowadays, but all this would not happen if it wasn’t for the Tresor club and the influence of the capital city of techno nearby. And I am obviously not thinking about Warsaw.

So back when I was still considering my ‘career’ as a DJ, the natural consequence after getting to know where all the vinyl goodness had come from, was to step on the train and within 2,5 hours reach Kreuzberg to spend a couple of hours in the hottest vinyl stores at the time. Sometimes I was quite lucky to get a permission from my rather liberal parents to come back a few days later, so I could experience just a little bit of what now often is considered a history, like Tresor club, Maria am Ufer or Bar25.

This is where I discovered the sounds from another inspirational city: Detroit and fell in love forever with this crazy, dark deepness of the most organic of the electronic genres. Juan Atkins, Anonym Huisman, Jeff Mills, Theo Parrish and more recently: Fred P, Mike Huckaby are to be named as at least a few who shaped my taste for today. And the Detroit influence over Berlin deserves at least a separate entry!

So last Friday, 13th March 2015, Tresor celebrated its 24th birthday. The new location after re-visiting for a while now did not feel the same magic as the original one. Also, I am no longer such a reckless and restless clubbing aficionado. However, what should be said is that Tresor keeps on bringing deep and still interesting sounds to a wider audience in times when techno turns kind of mainstream and recognizable.

When writing about the history, it is also important to mention its impact on the current happenings. In my humble opinion, the dark and stark sound and vision of the technoworld can be represented by the 29th Nov movies channel with regular uploads of a very surprising content. I always discover the new artists while watching 29th Nov’s new productions. For instance, on a gloomy Sunday like today, these tracks can definitely reflect the bleak Berliner moods best Endlec – Darkness Approaches and Iñigo Kennedy – Plaintive.