Weimar – where Classic meets Bauhaus

I’ve started my Bauhaus discovery upside down from the timing perspective. First, when I moved to Berlin in 2014 I visited Bauhaus Archiv (currently under re-construction, with a temporary exhibition placed elsewhere in Berlin) and later on, visiting Dessau on a particularly gloomy winter day.

This Easter I decided to travel to Weimar, in the heart of Germany, where not only Bauhaus was born, but where the new Bauhaus Museum has been recently opened. Not to mention, that everything was pretty much marked by Goethe’s and Schiller’s presence and a few other important Germans in the history. Except from the places which boastfully mention that Goethe war hier. Nie! (‘Goether was here. Never!’). This is the witty proof how proud Weimarers are about their rich history dating back to Classicism period and is renowned as the UNESCO Heritage Site.

Easter time this year was exceptionally warm and sunny which was fantastic for sightseeing the city by foot. Even all-present Goethe mentioned that ‘Weimar is not a city with a park. It’s a park with a city’. Except from the Neues Museum, dedicated to modernism era, Bauhaus Museum, there’s several museums and houses worth visiting and all of them accessible within the purchase of a 48 hour Bauhaus Card for the whole region of Thuringia. Worry not, it is impossible to visit all the sites in such a short period of time.

One of the places I’ve picked to visit was the Nietsche Archiv – a house where the eccentric philosopher spent his last 3 years of life. Although these years were rather gloomy and turbulent, the background stories one can learn from visiting the house and admire the exquisite interior design by the Belgian architect Henry van der Velde are definitely worthwhile getting to know.

On the way to Weimar, it is worth to have a stroll around the neighbouring romantic city of Erfurt. Although it is not as charming as Weimar in my humble opinion, its Old Town has some interesting pieces of Prussian and Roman architecture, alongside with a few interesting museums as well.

Now coming back to the Bauhaus Museum, which was the main reason for travelling to Weimar in the first place: currently, it’s a very crowded spot, potentially due to the 100th Years of Bauhaus celebrations taking place and the recent opening. The museum concentrates on the first years of Bauhaus, including the initial concepts, surrounding movements like the Triadic Ballet and is focusing on the emblematic pieces of interior design, including the famous Barcelona Chair by Mies van der Rohe and Lilly Reich.

Interestingly, it shows the controversies around Bauhaus’ fascination over the usability and productivity as well as the gendered view on certain approaches (i.e. how to improve the life of housewives in the kitchen – how stunningly ironic it looks after years!). In the before-mentioned city of Erfurt, there’s an exhibition solely dedicated to the Women of Bauhaus, often dimmed in the light of their male colleagues.

At the same time, there are Bach Weeks going on in Thuringia which are connected with the public spaces like the Bauhaus Museum. Unfortunately, getting the tickets to these concerts over the Easter period was impossible but all in all, three days spent around this stimulating and beautiful city was definitely worthwhile.

I would definitely revisit Weimar for its historic charm, green parks, great restaurants and friendly people around. Soon, the Haus am Horn, a brilliant example of the ‘Martian architecture’ of Bauhaus will re-open for the public view. So I guess this is bis Später, Weimar!

Advertisements

Bosch – visions alive in Berlin

There is never enough of art in Berlin! February being a month marked by great festivals like CTM, Transmediale and Berlinale. Additionally, terribly cold and gloomy weather prompts people to spend more time not only in clubs and cinemas, but also in galleries. At the same time, there are some interesting regular exhibitions happening: and actually there are two of them focusing on Hieronymus Bosch, whose works may be never lose its powerful symbolics and complexity of describing the metaphors of the world.

I’ll start with the installation of ‘Bosch – Visions Alive’ taking place in Alte Münze among other interesting venues of Spree Werkstatten. In the dark and spacious environment, you can contemplate a 30 minutes animation of the most remarkable paintings of Bosch. Together with my friend, we stayed there for over an hour, hypnotised! This brings me to the point that maybe it’s a digestible way of bringing art and its history in a more inclusive way – since the installation is engaging people from different backgrounds. This way, the message of it can have a bigger impact.

And last weekend I decided to visit the ongoing exhibition of Hieronymus Bosch drawings and works of his copyists in Gemäldegalerie. There is not too much of original works, but those available are actually showing the impressive concept art from centuries ago. Apart from that, I was very impressed by the collection in Gemäldegalerie: if European paintings from 14th till 18th century is something you’d like to explore, this is definitely a place to go to. I spent some 3 hours last Sunday there and I still felt I rushed through it. Among the collection you will find not only Bosch, but also Rubens, Valasquez, Botticelli, Rembrandt and Bruegel.

So even though I still have not managed to visit all the important museums and galleries of Berlin in 2,5 years of time I’ve been living here, I can recommend Gemäldegalerie to those who live and breathe classical art.

Uncertain journey(s)

Life is a journey, and it would be very fair to say that even if I am not travelling physically, the need for discovery leads me to trying out different things almost everyday. I mostly spent my summer in Berlin working, which was a great ride itself, with short getaways within Europe I had no time to describe but needed so badly to change air and perspective. Not to mention the quantity of gigs and showcases I’ve been able to see.

Now the summer is over and I am heading to a very distant destination.

Inspired by the title of the exhibition I saw 2 weeks ago at Blain Southern Gallery in Berlin I am ready to travel to the country I have long dreamt to visit: Japan. This mind-blowing installation created by Chiharu Shiota is open until the end of November, so if you have a chance to visit it, I truly recommend it. Full of hidden meanings and symbolics, it reflects very well the fragile nature of emotional bounds related to travel.

I love the feeling of the unknown waiting for me, this time multiplicated by the fact that none of the languages I speak may become handy, but rather the open mind and empathy. Exactly a year ago, a good friend of mine boarded the plane to Japan to travel for a couple of months in Asia. I was happy to trace herself  while she was discovering beautiful places, spaces and faces. Now I find myself in this amazing state of mind, ready for the new adventures, albeit for much more limited period of time.

The hunger for travel is a state of mind. And so is Berlin – very often I start missing this city the moment I board the plane. I will be back soon and will focus on seeking for novelty in my everyday life. Till I book another trip…

Jüdisches Museum Berlin

Long time, no write – I had a particularly intense month of October: visiting relatives in Bavaria, which was followed by unusually hectic days at work, and last but not least: a visit in Israel which leads me to the topic of describing the Jewish Museum of Berlin.

IMG_3877 IMG_3875

The museum is situated in between Mitte and Kreuzberg, and I remember it was one of the first museums I visited since relocating to Berlin. You just can’t miss it for its stunning architecture. But also, for unforgettable experience and a journey through the lives of Jews in Germany in almost 2000 years of perspective, similarly to the Polin Museum in Warsaw.

IMG_3892 IMG_3874

Jewish Museum of Berlin (JMB) consists of two buildings: Kollegienhaus and the new building designed by Daniel Libeskind, a Polish-American architect representing neo/post/modernism style. Libeskind’s building has different axes representing various epoques, and crucial moments for the Jewish diaspora in Germany. However, the most emotional and symbolic parts of the museum are represented by the void, a metaphore of the missing presence, as well as the sculptures of the Shalechet representing the screaming faces that can’t be avoided by the visitor.

IMG_3864 IMG_3863

Beyond the buildings, there is also a Garden of Exile where the olive trees grow on the soil of Israel, representing hope, but also confusing concrete blocks that are depicting the disorientation of the emigrants in the distant countries all over the world.

IMG_3891 IMG_3882

Nowadays, there are many events organized by the JMB, such as screenings of the movies, lectures, and temporary exhibitions. If you are in Berlin in November 2015, don’t miss Gehorsam (eng. Obedience) installation by Saskia Boddeke and Peter Greenaway.

IMG_3885 IMG_3868

There are 15 rooms inspired by the legends of Jewish, Christian and Islamic traditions and the drama of our times due to the conflicts of the above. All in all, JMB is a very special place to contemplate not only the history, but also stunning art, emotional states and metaphoric narration.

IMG_3889 IMG_3890