Long time, no write – I had a particularly intense month of October: visiting relatives in Bavaria, which was followed by unusually hectic days at work, and last but not least: a visit in Israel which leads me to the topic of describing the Jewish Museum of Berlin.
The museum is situated in between Mitte and Kreuzberg, and I remember it was one of the first museums I visited since relocating to Berlin. You just can’t miss it for its stunning architecture. But also, for unforgettable experience and a journey through the lives of Jews in Germany in almost 2000 years of perspective, similarly to the Polin Museum in Warsaw.
Jewish Museum of Berlin (JMB) consists of two buildings: Kollegienhaus and the new building designed by Daniel Libeskind, a Polish-American architect representing neo/post/modernism style. Libeskind’s building has different axes representing various epoques, and crucial moments for the Jewish diaspora in Germany. However, the most emotional and symbolic parts of the museum are represented by the void, a metaphore of the missing presence, as well as the sculptures of the Shalechet representing the screaming faces that can’t be avoided by the visitor.
Beyond the buildings, there is also a Garden of Exile where the olive trees grow on the soil of Israel, representing hope, but also confusing concrete blocks that are depicting the disorientation of the emigrants in the distant countries all over the world.
Nowadays, there are many events organized by the JMB, such as screenings of the movies, lectures, and temporary exhibitions. If you are in Berlin in November 2015, don’t miss Gehorsam (eng. Obedience) installation by Saskia Boddeke and Peter Greenaway.
There are 15 rooms inspired by the legends of Jewish, Christian and Islamic traditions and the drama of our times due to the conflicts of the above. All in all, JMB is a very special place to contemplate not only the history, but also stunning art, emotional states and metaphoric narration.