März Musik

März – in German ‘March’ is the long month of transition in this part of the world. In between the neverending winter and the long-awaited summer, the darkness and the light, the Berlinale and the Freiluftkino season, the CTM and the Atonal. I actually love the feeling when the first, more intense rays of the morning sun burn my face on my way to work… on my bike \o/ (I love my bike, but I am not one of these Berliners riding their bikes even when temperatures drop to a negative scale!).

Two years ago, high on discovering all the new places in the city, I participated for the first time in the event organized by Berliner Festspiele in my beloved music cathedral aka Kraftwerk called ‘The Long Now’. The concept of it is to bring a super ambitious line up of electronic musicians for a 29 hours long event of the Daylight Saving Time overnight switch, allowing the participants to indulge into the darkness, even allowing some sleeping spots at the venue.

A year ago, alongside with the event, there were corresponding installations in the neighbouring Radialsystem V and Kunstraum Kreuzberg/Bethanien which were pretty amazing. ‘Extended Compositions’ showed e.g. the works of weapons transformed into instruments, shooting the music, not war ❤

In Radialsystem V, the Japanese artist Chiharu Shiota together with alif created a musical installation’Split in the wall’ with music as a concept of blood running through the veins – instruments.

The dreamy Long Now event will happen again this year from 25th March 18:59 till 26th March 23:59. Emerge in the lucid dreaming while in Kraftwerk, before the spring will take over the city.

And it all makes me feel how long was my winter sleep and how great is to face spring again. Simple, but happiness is free when this feeling hits!

Bosch – visions alive in Berlin

There is never enough of art in Berlin! February being a month marked by great festivals like CTM, Transmediale and Berlinale. Additionally, terribly cold and gloomy weather prompts people to spend more time not only in clubs and cinemas, but also in galleries. At the same time, there are some interesting regular exhibitions happening: and actually there are two of them focusing on Hieronymus Bosch, whose works may be never lose its powerful symbolics and complexity of describing the metaphors of the world.

I’ll start with the installation of ‘Bosch – Visions Alive’ taking place in Alte Münze among other interesting venues of Spree Werkstatten. In the dark and spacious environment, you can contemplate a 30 minutes animation of the most remarkable paintings of Bosch. Together with my friend, we stayed there for over an hour, hypnotised! This brings me to the point that maybe it’s a digestible way of bringing art and its history in a more inclusive way – since the installation is engaging people from different backgrounds. This way, the message of it can have a bigger impact.

And last weekend I decided to visit the ongoing exhibition of Hieronymus Bosch drawings and works of his copyists in Gemäldegalerie. There is not too much of original works, but those available are actually showing the impressive concept art from centuries ago. Apart from that, I was very impressed by the collection in Gemäldegalerie: if European paintings from 14th till 18th century is something you’d like to explore, this is definitely a place to go to. I spent some 3 hours last Sunday there and I still felt I rushed through it. Among the collection you will find not only Bosch, but also Rubens, Valasquez, Botticelli, Rembrandt and Bruegel.

So even though I still have not managed to visit all the important museums and galleries of Berlin in 2,5 years of time I’ve been living here, I can recommend Gemäldegalerie to those who live and breathe classical art.

Dancing thru the dark

 

I have to admit that 2016 was very abundant in terms of the art I saw: the exhibitions that made me think and the concerts I’ve attended. I do think a special focus for me is anything surpassing the boundaries in the contemporary art, with a focus on interpreting the classics and referring to the current musical trends.

I am not a professional dancer not an artist myself, but I do love exploring both (if this was not clear by the content of this blog yet). Here in Berlin I make sure to track especially anything by Sascha Waltz und Guests (from ‘Travelogue’, ‘Romeo and Juliet’ to ‘Le Sacre du Printemps’ and ‘Koerper’). This dance company has been showcased this year at Radialsystem V, Berliner Festspiele and Deutsche Oper.

Another highlight of 2016 was definitely the exhibition of Pina Bausch‘s works and deep dive into the history of her dance company, accompanied by the ‘Palermo, Palermo’ show only this month.

What I find special about the dance theater, is not only the physical, but also symbolic expression and freedom it brings. I have already confessed that for me personally letting go through dance is liberating and simply making me stronger, even if these cold and dark months have been exhausting.

Just like in the ‘Seasons’ march’ by Pina Bausch, there is a rhythm, which everyone has to find on its own, and at the end of the day, all the movements may feel similar. The work around repetition and symbols was one of the typical approaches in her Tanztheater, and I think it caries some universal truth. ‘Everything I do, I do as a dancer, everything, everything’ she said once. And I believe that dancing not only through the night/the season/and the darkness but also through the whole live can be a very good idea.

Uncertain journey(s)

Life is a journey, and it would be very fair to say that even if I am not travelling physically, the need for discovery leads me to trying out different things almost everyday. I mostly spent my summer in Berlin working, which was a great ride itself, with short getaways within Europe I had no time to describe but needed so badly to change air and perspective. Not to mention the quantity of gigs and showcases I’ve been able to see.

Now the summer is over and I am heading to a very distant destination.

Inspired by the title of the exhibition I saw 2 weeks ago at Blain Southern Gallery in Berlin I am ready to travel to the country I have long dreamt to visit: Japan. This mind-blowing installation created by Chiharu Shiota is open until the end of November, so if you have a chance to visit it, I truly recommend it. Full of hidden meanings and symbolics, it reflects very well the fragile nature of emotional bounds related to travel.

I love the feeling of the unknown waiting for me, this time multiplicated by the fact that none of the languages I speak may become handy, but rather the open mind and empathy. Exactly a year ago, a good friend of mine boarded the plane to Japan to travel for a couple of months in Asia. I was happy to trace herself  while she was discovering beautiful places, spaces and faces. Now I find myself in this amazing state of mind, ready for the new adventures, albeit for much more limited period of time.

The hunger for travel is a state of mind. And so is Berlin – very often I start missing this city the moment I board the plane. I will be back soon and will focus on seeking for novelty in my everyday life. Till I book another trip…

Techno symphony for Berlin Metropolis

Berlin, the acclaimed city of music, film and creative industry in general, received a very special gift last week.On 8th March 2016, Jeff Mills presented the premiere of his soundtrack for the ‘Symphony of the Great City’ within the Cinemix series. I have to say, that I am still speechless after his performance in a small studio cinema in Hackescher Markt. I am far from being a psychofan, but sitting not even 2 m away from the turntables of the maestro made it for unforgettable experience.

While the original movie is interesting enough to watch anytime, falling under the cinematic Berlin to-dos, the special history and link between Jeff Mills, Underground Resistance, the industrial revolution, and finally the bridge of techno music for Detroit and Berlin, made the Cinemix premiere one of its kind. Legend of the early Tresor years captivated the mood, rhythm and musical landscape of the city, and I bet no one could rewrite the soundtrack better than he did, given his unique connection to Berlin.

Previously we could watch Jeff Mills’ Cinemix production of Fritz Lang’s ‘Metropolis’, as below:

It is incredible, how relevant techno OST can be even after 90 years of the original movie premiere. During the screening of ‘The Symphony of the Great City’ I was stunned, how much the city changed, and at the same time, how much the energy remained the same. Alienation, industrialization, and on the other hand: consumption, excessive and extravagant social/night life describes the early years of 20th Century in Berlin much as the hype these days.

So in case you are curious to check the movie, here is the original footage of the Symphony of the Great City. I can only hope that Jeff Mills’ OST will become one of the most important, timeless masterpieces, universally defining Berlin as a cosmopolitan, dynamic and forward-thinking city.

This is my church

Kraftwerk stands for the ‘power station’ in German. And there are quite a few of them remaining in the centre of Berlin nowadays, including the overpraised Berghain. Its worship makes it for one of the strongest religious movements these days and it’s only a matter of time when the local authorities will start charging for the techno tax, in my humble opinion. But there is also an actual Kraftwerk in Mitte, used only for specific venues, such as The Long Now / Atonal or currently: CTM.

So while awaiting the Deep Web performance and Robert Henke’s concert, I decided to share the set of photos that comes from the 2015 edition of Berlin Atonal festival. During some five hot days in August last year, I was lucky to praise and dance to some amazing artists, such as Ugangan Methods (Ancient Methods + Regis), Shackleton, Alessandro Cortini, Kanding Ray, Varg, Shed, Samuel Kerridge, Lakker (who presented the amazing Tundra works), and many others. I remember the very powerful opening with the voices of the Chor der Kulturen der Welt in this mighty space, as well as the screening of ‘Industrial Soundtrack for the Urban Decay’ by Amélie Ravalec and Travis Collins. 

The light and sound installations set up in the basements and various labyrynths of Kraftwerk were also ery hypnotizing, almost sleepwalking ambience. So after all, I wonder why isn’t it a spot for regular events? I guess the overwhelming size of it, and the magical atmosphere of it just doesn’t match a regular Klubnacht. I think though that if Berghain is a parochial church, Kraftwerk is the cathedral, following the sacred metaphore.

So, see you at the black (laser?) mass on Sunday!

Special thanks goes to: Aldona Weicher, the author of the featuring photo and lately my favourite profile cover. You captured me, the place and the closing moment perfectly!

Between East and West

It is hard to forget about the division between East and West, especially around 9th November, when Berliners celebrate the opening of the borders and, respectively, the Fall of the Wall in 1989.

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Berlin Wall became the physical symbol of the Iron Curtain and even if nowadays the idea of the Cold War division within one city sounds so abstract, it was a painful reality for many Berliners for over 28 years.

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Today the Wall can be seen from many perspectives: you can learn interesting facts and stories visiting the Berlin Wall Memorial (free admission!), Topographie des Terrors, Checkpoint Charlie, or East Side Gallery – where all the featured photos were taken.

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East Side Gallery, the longest remaining fragment of the wall, today sets the border between the multicultural neighbourhoods of Friedrichshein and Kreuzberg. East Side Galler hosts some great graffitis, mostly related to politics and history. It reminds us there are still many walls on this planet to be tear down…

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Another interesting perspective on the history of the Berlin Wall was presented in a Polish documentary film called “Rabbit a la Berlin”, telling the story of the division and “no man’s land” or “Death stripe” from rabbits’ perspective. It is based on real happenings, as during years, rabbits found a perfect place to live in between the Berlin Wall.

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Nowadays the Wall is long gone, but according to the latest HR research on salaries, Berlin still stands out as the poorest city in Germany. Salaries in Berlin can be up to 25% lower than in other cities. Interesting, as it’s been long enough as well to give Berlin the unofficial name of ‘Silicon Allee’ – innovative IT start ups’ capital.

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‘Poor but sexy’ is no longer an excuse, as the cost of living grows unproportionally to the abovementioned salaries. We can see then, how much time it takes for a city to recover after such terrifying events and decisions.

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However, as this year Germany celebrated 25 years from the unification, I hope this is a good moment for everyone to contemplate the history and its outcomes. I am proud to be living in Berlin, a capital which is maybe still very imperfect, but giving room for people with different backgrounds and ideas. Otherwise, it would still be so grey.