Turn on, UN TUNE, drop out

Last weekend the 16th edition of the CTM festival started off with the UN TUNE theme reflecting the ‘adventurous music and art’. Stating the obvious, I have partially chosen Berlin as my destination for the variety of techno-related happenings literally around my corner. And as a rather faithful person I try to visit the local parish, Berghain on Sundays. So the CTM has been on my radar for a while now, even though the price of the pass seemed exorbitant. All in all, I’ve decided just for the two events so far.

Now I have to eat my own words, as the opening concert in HAU and follow up in YAAM (former place of cult Maria am Ufer) knocked me off my feet. Highlights so far? Definitely Thomas Ankersmit who explored the in-ear sounds, professionally known as otoacustic emission. My personally admired photographer and performer Nan Goldin who joined Soundwalk Collective for the World Premiere of ‘Closer to Knive: Memoirs of Desintegration’ inspired by darker than noir shorts from David Wojnarowicz. And the 2014 revelation from the neighbouring Poland: Zamilska.

I did not expect such a sensatory-awakening, limits-surpassing performance, taking it for purely marketing. For those in town who want to explore the CTM’s magic behind the sounds, I recommend the quirky exhibition in the Kunstraum Kreuzberg Bethanien. If you are lucky (?), a special machine will immitate a loud sound one of its kind. You never know when it’d happen, whether it is while discovering the sound of concrete in a special tunes, or visiting one of the endarkened rooms. Not to mention that this Wednesday the ‘sibling festival’, Transmediale kicks off. Makes me wanna say thank God it’s Monday, but actually it’s the whole week that looks incredibly interesting.





3 thoughts on “Turn on, UN TUNE, drop out

  1. Pingback: Krake – it’s all about music, not names | Berlinering

  2. Pingback: 10 thoughts for 1 year in Berlin | Berlinering

  3. Pingback: März Musik | Berlinering

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