Kraftwerk stands for the ‘power station’ in German. And there are quite a few of them remaining in the centre of Berlin nowadays, including the overpraised Berghain. Its worship makes it for one of the strongest religious movements these days and it’s only a matter of time when the local authorities will start charging for the techno tax, in my humble opinion. But there is also an actual Kraftwerk in Mitte, used only for specific venues, such as The Long Now / Atonal or currently: CTM.
So while awaiting the Deep Web performance and Robert Henke’s concert, I decided to share the set of photos that comes from the 2015 edition of Berlin Atonal festival. During some five hot days in August last year, I was lucky to praise and dance to some amazing artists, such as Ugangan Methods (Ancient Methods + Regis), Shackleton, Alessandro Cortini, Kanding Ray, Varg, Shed, Samuel Kerridge, Lakker (who presented the amazing Tundra works), and many others. I remember the very powerful opening with the voices of the Chor der Kulturen der Welt in this mighty space, as well as the screening of ‘Industrial Soundtrack for the Urban Decay’ by Amélie Ravalec and Travis Collins.
The light and sound installations set up in the basements and various labyrynths of Kraftwerk were also ery hypnotizing, almost sleepwalking ambience. So after all, I wonder why isn’t it a spot for regular events? I guess the overwhelming size of it, and the magical atmosphere of it just doesn’t match a regular Klubnacht. I think though that if Berghain is a parochial church, Kraftwerk is the cathedral, following the sacred metaphore.
So, see you at the black (laser?) mass on Sunday!
Special thanks goes to: Aldona Weicher, the author of the featuring photo and lately my favourite profile cover. You captured me, the place and the closing moment perfectly!
I don’t go to festivals nowadays. Normally. I’ve been to ADE, Sonar, among other big ones and I enjoyed it a lot. Truth is that now I don’t have as much energy nor time to stay a couple of days partying 24/7. Also, within time they all got way more commercial, and as a consequence – super expensive. There are 3 local Berliner festivals though I can’t think of skipping: CTM, Krake and Atonal. Next week, the second one will take over the city (Friedrichshein, to be precise, or Urban Spree area):
I am looking forward to the amalgamate of art, sound and good ambience. One of my very promising dark techno sound evangelist & artist friends, Enclave, showed me last year’s edition from Suicide Circus and I was amazed. I really liked the anti-festival vybe, meaning that instead of pricey tickets and hype about first two or three big names listed, there will be a mix of more or less unknown, but ambitious rising hopes of the electronic music scene. Here’s a documentary showing bits and pieces of 2014 Krake edition together with the ideology behind the venue:
So: where, when, what? Next week, starting from Monday 3rd August till Sunday 9th, Urban Spree area (together with Kantine am Berghain and Suicide Circus) will be taken over by the art of techno. You can check the detailed programme here. I am so much looking forward to the Friday and Saturday nights, alongside with the art exhibition and 29th Nov films. There’s an ongoing discussion in Berlin about how the electronic scene could reinvent itself, and move away from the overtly mainstream trend, while coming back to its very own alternative roots. Not sure why, anytime I think about the dying scene, and techno being a superficial platform, I always feel like this humanoid from this brilliant videoclip.
Just a quick note on the inventory that made my heart melt today: das Birdhain. Now my troubled mind can rest, as I know where will hyperactive Vögelchen go after party. Maybe for once, they will stop bothering me at unearthly hours of the day (5-6 am?) when I normally try to sleep like an usual, full-time working person.
Melte Jansen – the author of the Birdhain, cared so much about the little bros’ comfort that the birdie replica of Berghain has a lot of room to offer, including the darker spots or the main floor with some awesome lightning. Not sure about the menu inside though.
It went viral today in Berlin and I am positive that in this utterly caring city, no one should be deprived of socializing- and party spots. Wait, but speaking of which… who will replace the infamous Sven in the birdie’s reality?
It is not absolutely necessary to wait for the weekend when in Berlin. Often during the week even more interesting things are happening: for instance, the Boiler Room session which took place in Stattbad only last Wednesday. Totally acceptable to the civilised-schedule and rather sober techno-aficionados as it started off as early as 8 pm. There are regular parties happening early-Wednesday-mornings or Sunday-late-afternoon.
There is obviously more craziness going on, but comparing with the past years of the techno evolution (some 20 years ago), Berlin seems like a tranquility mecca, at the same time being not losing its glory of the island of creativity. I have gathered some of the documentary movies picturing the milestones of the city’s history watched through the darkened techno lenses:
Technocity Berlin – epic documentary from the 90s (in German)
Children of Berlin – what was then – this is now
Don’t forget to go home – a short history of Berghain, or rather formerly Ostgut
Watergate X – a journey to one of the weekends at the Spree bank’s famous location…
Meanwhile, the spring has come slowly, but surely and the bleakness of the city seems to be washed away with the rays of sun. And I am so much looking forward to wearing sunglasses not only at night.