Cold days = getting sick. Getting sick = managing to read all the pending stuff I wanted to. A Pulitzer-winning author, Charlie LeDuff was one of those on the waiting list on my shelf. Detroit-born writer and journalist stole my sick days with his reportage ‘Detroit: An American Autopsy’. Although I have never been to Detroit, it’s on my travel list since ages. I have also watched tones of the documentaries about this fascinating city, such as:

Also, my fascination with the remote and abandoned places, urban apocalipse and related started a while ago. Only in Berlin though I realised how many stories of the ‘wounded cities’ that once used to be flourishing with industrial jobs are hidden in the abandoned factories and warehouses. Berlin is a perfect place of offering such places a second life, often linked to great cultural venues, such as Stattbad (no longer existing though), Kraftwerk and Tresor anyway, Berghain, Urban Spree and many more which I still did not manage to describe here. There is still a full list of horrifying, dreadful and yet absolutely fascinating decay buildings for me to discover.

So not only postindustrial images, but also the emerging creativity links Detroit with Berlin. Obviously, both cities offer strikingly different vision on the social welfare, and supporting the cultural scene, but the fact is that techno music was born in parallel both in Detroit, and in Berlin. It emerged from the painful history, and events. And from extraordinary creative energy. Some interesting facts are gathered in the following documentary:

Nowadays there are many DJs from Detroit based in Berlin as permanent residents, and enriching the techno culture. Berlin wouldn’t offer the sounds we hear nowadays, if it wasn’t for Detroit. So, being relatively in a better shape, thanks to the economy based on the tech and creative industry, Berlin owes a lot to Detroit.