Notes from the Berliner Philharmoniker

Since a good couple of weeks, Berlin is bathing in the sun and even though the summer has not even started, people in the city seem to indulge themselves in the warm nights, long days and refreshing water of the surrounding lakes. I am touring as well: I have just returned from a couple of weeks spent in Barcelona and Galicia, where I spoke at a conference and this week I’m heavily involved in the hackdays happening at my company, as well as participating at Tech Open Air¬†– giving some talks in the forthcoming weeks.¬†Thus, with so much happiness and excitement outside, it’s not a perfect season for writing these days. Well, there’s no such things as a perfect setting for writing anyway, so why not just scribble a few notes.

Upon my arrival from travels, I was expecting a great cultural thrill though: seeing Max Richter performing in the magnificent Berliner Philharmoniker. Booking tickets 6 months in advance is a reality if you want to participate, so I was anxiously looking forward to it. After all, I missed the famous performance of the ‘Sleep’ at Kraftwerk two years ago.

Richter performed ‘Infra’ and ‘Blue Notebooks’ this time, inspired by Schumann’s¬†Winterreise¬†and political happenings at the times he wrote these pieces. It sounded very profoundly, illustrated by the special lighting and the venue itself. I’ve been to the Philharmonic several times. Once, me and my friend missed an opening in the neighbouring gallery and simply bought the tickets from a nice elderly couple that were cold and thought inappropriate to participate in a concert coughing.

What is special about this place is not only the architecture, but its philosophy of accessibility, so far away from monumental and baroque design of Philharmonic, that often happens elsewhere. I am proud that I live in the city where art, culture and social participation matters so much. Berlin might be changing, even in these four years I’ve been living here, but its connection to art is special and making other live choices of leaving the city at some point so difficult. Even though my relationship with German language is still far from perfect and I am truly a ‘new Berliner’, I’ve managed to see a lot and try to understand the city much as I can, also through participation.

I love the egalitarian spirit of Berlin. In the warm summer night, I saw a very diverse crowd at the Philharmonic, connected together. Hope that this spirit prevails the hype, raising inequalities and general craziness on various levels.

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